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Saint Lucy: Composition

Does ‘Saint Lucy of the Eyes’ (Bog Myrtle and Peat, 1895) read as a single continuous composition, or do its chapter titling, its concentration of narrative register by chapter, and its structural gaps between episodes point to material that once existed separately, later assembled under one retrospective narrator? No archival evidence of prior serialisation has yet been found; this article builds and holds open its case from the text alone.

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