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            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>MAGAZINE REPOSITORY</text>
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            <name>Type</name>
            <description>The nature or genre of the resource</description>
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              <elementText elementTextId="14444">
                <text>Articles and Reviews about S.R.Crockett from Magazine sources </text>
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            <name>Description</name>
            <description>An account of the resource</description>
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                <text>PDF Transcriptions and/or scans of these articles are listed and held in the S.R.Crockett Online Museum Library for download. </text>
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        <element elementId="50">
          <name>Title</name>
          <description>A name given to the resource</description>
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            <elementText elementTextId="14478">
              <text>The Literature of the Kailyard</text>
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          <name>Creator</name>
          <description>An entity primarily responsible for making the resource</description>
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            <elementText elementTextId="14479">
              <text>Millar, J.H.</text>
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          <name>Publisher</name>
          <description>An entity responsible for making the resource available</description>
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            <elementText elementTextId="14480">
              <text>The New Review (London) </text>
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        <element elementId="41">
          <name>Description</name>
          <description>An account of the resource</description>
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            <elementText elementTextId="14481">
              <text>Extended critical article by J.H. Millar widely regarded as the text that established the 'Kailyard' label as a term of dismissal for Scottish regional fiction. Examines Barrie, Crockett, and Ian Maclaren as representatives of a parochial school of fiction, tracing the movement's origin to Barrie. Subjects Crockett's humour and prose style to sustained mockery, quoting extensively from The Raiders and The Lilac Sunbonnet. Argues that Crockett's celebrity is entirely a product of uncritical log-rolling in the religious press and elsewhere, and that he has no genuine call to literature. Concludes with a broader attack on the cultural influence of the Dissenting interest in fiction.  Influence of W.E.Henley suggested though signed J.H.Millar</text>
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        <element elementId="48">
          <name>Source</name>
          <description>A related resource from which the described resource is derived</description>
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            <elementText elementTextId="14482">
              <text>The New Review, Vol. XII, No. 71, April 1895, pp. 383–394</text>
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        <element elementId="46">
          <name>Relation</name>
          <description>A related resource</description>
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            <elementText elementTextId="14483">
              <text>https://srcrockett.scot/library/Reviews/MAG149_NewRev_Millar_1895.pdf</text>
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      <name>Kailyard; S.R. Crockett; J.M. Barrie; Ian Maclaren; J.H. Millar; The New Review; 1895; The Lilac Sunbonnet; The Raiders; Scottish fiction; criticism; literary history</name>
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